White House: Drone Strikes on Americans 'Legal'

Feb 5, 2013 3:54pm

U.S. Air Force

The White House today defended the use of targeted drone strikes against U.S. citizens abroad suspected of high-level terrorist activity, but declined to detail the criteria for ordering such an attack.

“Sometimes we use remotely piloted aircraft to conduct targeted strikes against specific al Qaeda terrorists in order to prevent attacks on the United States and to save American lives,” White House Press Secretary Jay Carney told reporters.

“We conduct those strikes because they are necessary to mitigate ongoing actual threats, to stop plots, to prevent future attacks and, again, save American lives. These strikes are legal, they are ethical, and they are wise,” he said.

Administration lawyers found it is lawful to kill an American citizen if a “high-level” government official believes the target is an operational leader of al Qaeda who poses “an imminent threat of violent attack against the United States” and if capture is infeasible, according to a newly disclosed Justice Department document.

The 16-page white paper, first obtained by NBC News, finds there “exists no appropriate judicial forum to evaluate these constitutional considerations” and that the administration does not need to present evidence to a court before or after ordering such an attack.

“The condition that an operational leader present an ‘imminent’ threat of violent attack against the United States does not require the United States to have clear evidence that a specific attack on U.S. persons and interests will take place in the immediate future,” the document reads.

Carney repeatedly declined to discuss the details of the white paper.

“I would point you to the ample judicial precedent for the idea that someone who takes up arms against the United States in a war against the United States is an enemy and therefore could be targeted accordingly,” he told ABC News’ Jon Karl.

“[The president] takes his responsibility as commander in chief to protect the United States and its citizens very seriously. He takes the absolute necessity to conduct our war against al Qaeda and its affiliates in a way that’s consistent with the Constitution and our laws very seriously,” he said.

The white paper is believed to be a summary of the reported classified memo that outlined the legal justification for the drone attack that killed American-born radical cleric Anwar al-Awlaki in September 2011.

The American Civil Liberties Union has called the newly discovered document “profoundly disturbing.”

“It’s hard to believe that it was produced in a democracy built on a system of checks and balances. It summarizes in cold legal terms a stunning overreach of executive authority — the claimed power to declare Americans a threat and kill them far from a recognized battlefield and without any judicial involvement before or after the fact,” ACLU National Security Project director Hina Shamsi said in a written statement.

The Obama administration has carried out more than 300 CIA drown strikes in Pakistan, far more than his predecessor, President George W. Bush, according to the Bureau of Investigative Journalism.

Pressure is building from Capitol Hill for the White House to outline its legal authority to kill American citizens in counterterrorism operations.

“It is vitally important… for Congress and the American public to have a full understanding of how the executive branch interprets the limits and boundaries of this authority,” a group of eleven bipartisan Senators wrote in a letter to the president Monday, “so that Congress and the public can decide whether this authority has been properly defined, and whether the President’s power to deliberately kill American citizens is subject to appropriate limitations and safeguards.”

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Ice-age art hints at birth of modern mind

Sumit Paul-Choudhury, editor

Figurines from the Don river valley (Images: Kirstin Jennings)

The world’s oldest portrait, the world’s first fully carved sculpture, the world's oldest ceramic figure, the world’s earliest puppet - there’s no shortage of superlatives in the new exhibition of art from the ice age at the British Museum in London

But focus too closely on the exhibits’ record-breaking ages alone, and you might miss the broader point: these beautiful objects are the earliest evidence we have of humans who seem to have had minds like ours.

Consider, for example, the "lion man" found in 1939 in south-west Germany’s Stadel cave (pictured above). As the name suggests, this statue, standing 30 centimetres tall, harmoniously combines human and leonine features: the head is unmistakeably a lion’s, while the body and lower limbs are more human.

This is clearly the product of artistic creativity rather than a naturalistic drawing from life - suggesting that whoever carved it some 40,000 years ago had the capacity to express their imagination, as well as to replicate what they saw around them.

The temptation to speculate about what symbolic meaning the lion man might have had is, of course, irresistible. It was clearly valuable, taking around 400 hours and enormous skill to carve from a single piece of mammoth ivory.

The exhibition also includes a second, much smaller, feline figure found in another cave nearby, pointing to the idea that such imaginative objects might have cultural significance, perhaps as ritual objects within a shamanic belief system, rather than being isolated art objects.

Given what we know of modern traditions, that would make sense - but there is no hard evidence that anything resembling those traditions existed in Europe during the ice age.

Almost every object on show invites similarly thought-provoking consideration. Thumb-sized figurines from settlements along Russia's Don river (top) seem to present a woman's perception of her own pregnant body in an age before mirrors: no face, bowed head, the shelf of the bosom, the protrusion of the hips and buttock muscles and the swell of the belly. Were they carved by the women themselves, perhaps as protective talismans for themselves or their unborn children? And if so, what are we to make of those that were apparently deliberately destroyed subsequently?

Only a few of the animal models found at the Czech site of Dolní Věstonice are intact. The rest had shattered into thousands of clay fragments when they were heated while still wet. This must also have been deliberate: was the dramatic shattering part of a rite?

A tiny relief of a human figure with upraised arms invites interpretation as a celebrant or worshipper. Was he or she participating in a ceremony to promote social cohesion during tough times - perhaps to the accompaniment of music played on instruments such as the flute displayed nearby, which is precisely carved from a vulture's wing-bone?

Such interpretations deserve a healthy dose of caution, of course. The note accompanying an elegantly carved water bird (perhaps a cormorant) found near the smaller lion man drily reads: "This sculpture may be a spiritual symbol connecting the upper, middle and lower worlds of the cosmos reached by a bird that flies in the sky, moves on land and dives through water. Alternatively, it may be an image of a small meal and a bag of feathers."

In the total absence of documentary evidence, there is no way of telling which is correct: archaeological material might help clarify the utilitarian perspective, but it is far less helpful when it comes to discovering any symbolic value.

In any case, there is very little archaeological evidence on display at the British Museum. Curator Jill Cook says she was keen to avoid exhausting visitors with copious background material about the evolutionary and environmental contexts in which these objects were made.

Humans were capable of complex behaviour long before they reached Europe - as demonstrated by discoveries such as the 100,000-year old "artist's workshop" in South Africa's Blombos cave - but Cook thinks the explosion of art among Europeans 40,000 years ago may reflect changing social needs during the ice age.

When Homo sapiens first arrived in Europe some 45,000 years ago, "the living was initially probably reasonably easy", explains Cook. They would have found temperatures only about 5 °C lower than they are now, she says, and grassy prairies would have been well stocked with bison. As the human population grew, they would have had to find new ways of building, socialising and organising themselves.

“And as it turns desperately cold, around 40,000 years ago, suddenly we have all this art," she says.

That may have reflected the need to communicate and develop ideas - a need pressing enough for people to spend hundreds of hours creating objects that generally seem to have had little quotidian function.

"This is all about planning and preconceiving and organising and collaborating and compromising," suggests Cook, "and that is something art and music helps us do."

The dazzling array of objects on display, spanning tens of thousands of years, anticipate practically every modern artistic tradition. The first portrait, dating back 26,000 years, includes closely modelled details of its female subject's unusual physiognomy, perhaps the result of an injury or illness.

But nearby is an extraordinary figure of similar age whose facial features are utterly abstract, resembling a visor with a double slit in it.

Another (above) has a body whose angular patterns anticipate Cubism by some 23,000 years: Picasso kept two copies of it in his studio. Elsewhere, there are doll-like models of women with stylised faces, and female forms streamlined into little more than slender, strategically curved lines.

Representations of animals, too, come in all forms, from incredibly realistic illustrations scratched onto stone or ivory, to elegantly minimal sculptures; there are even carvings designed to create the illusion of movement when viewed from different angles or rotated (above) - a form of prehistoric animation.

The masterpieces in the latter part of the show include - and sometimes combine - both precisely observed, superbly rendered naturalism, and more abstract work that is still beautiful, but much harder to interpret.

Carved mammoth tusks

"The brain likes to tease us," says Cook. "We don't just represent things with great realism and naturalism, we like to break things down into patterns. That sparks your imagination, and makes you curious and questioning.

“What’s so spectacular about the modern brain, and the mind that it powers, is that it doesn't just make everything simple, it pushes us to new ideas and new thoughts."

After tens of thousands of years, the objects displayed in this extraordinary exhibition still have the power to do just that.

Ice Age Art: Arrival of the modern mind runs at the British Museum from 7 February 2013

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Football: Messi agility is all in the mind - scientists

LONDON: Barcelona superstar Lionel Messi may owe his trademark feints and body swerves to the fact his brain is busier than that of a less gifted player, according to a study into footballers' minds.

Researchers at Britain's Brunel University found that highly skilled footballers are able to activate more areas of their brain than novices when an opposing player approaches, enabling them to react to their moves more successfully.

Published in the Journal of Sport and Exercise Psychology, the research found that experienced players are able to suppress the urge to react instinctively, making them less likely to fall for opponents' attempts to trick them.

As part of the study, 39 players ranging from beginners to semi-professionals lay in an MRI brain scanner and watched clips of a junior international-level player running towards them with the ball.

Occasionally, the oncoming player would produce a deceptive manoeuvre and participants had to decide in which direction they need to move in order to counter.

They were then grouped according to how well they performed in the task, revealing that strong performers were more attuned to the actions and movements of opponents than their less-skilled counterparts.

"Our neuroimaging data clearly shows greater activation of motor and related structures in the brains of expert footballers, compared to novices, when taking part in a football-related anticipation task," said Daniel Bishop from Brunel University.

"We believe that this greater level of neural activity is something that can be developed through high quality training, so the next step will be to look at how the brain can be trained over time to anticipate the moves of opponents."

- AFP/jc

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Amazon Studios taps John Goodman for "Alpha House" comedy

Imagine John Goodman strutting across the screen as a smooth-talking, deal-making Southern House member or senator. But, don't think of Kevin Spacey's conniving Francis Underwood in Netflix's "House of Cards."

Amazon Studios is reportedly tapping Goodman to play North Carolina Sen. Gil John Biggs in an upcoming comedy, "Alpha House." The new series, written by Doonesbury cartoonist Garry Trudeau, centers around four senators who live together in Washington, D.C.

John Goodman

(Credit:
Paul A. Hebert/Getty Images)

"Alpha House" is just one piece of Amazon's ambitious foray into original content. In December 2012, Amazon announced that it was making a major investment in original content with six comedy pilots in the works with writers from hit shows such as the "The Daily Show," "30 Rock," "The Big Bang Theory," and The Onion, in addition to Trudeau.

Amazon also has a dozen children's show pilots, including from the creators of "Blue's Clues" and "Sid the Science Kid," and from The Jim Henson Company. Starting in June, Amazon Prime will be the only place to stream the latest episodes of popular British TV series "Downton Abbey."

No doubt Amazon, as well as Netflix, Hulu, YouTube, and others born of the web, want to be the new, streaming Hollywood. They are making substantial investments in developing, producing, and acquiring high-quality programming that competes with what the established broadcast and cable networks and studios put on television or in theaters. They have learned that aggregation of content is not enough of a differentiator to keep people in their seats, or in front of their
tablets or smart TVs.

Netflix's "House of Cards," which costs nearly $4 million per episode to produce, is part of a big bet by the streaming company to attract millions of new paying subscribers around the world. Netflix is also exclusively producing a horror thriller, "Hemlock Grove," that will debut on April 19; "Orange is the New Black" from the creator of "Weeds"; and "Derek" with Ricky Gervais. Netflix is also bringing a fourth season of "Arrested Development" in May to its subscribers. In addition, Netflix inked a major exclusive deal with Walt Disney to stream films from Walt Disney Animation Studios, Pixar Animation, Marvel, and Disneynature starting in 2016.

Hulu has new seasons of its exclusive series and a few new shows for 2013, including "The Awesomes," an animated show from SNL's Seth Meyers and Michael Shoemaker of "Late Night with Jimmy Fallon, and "The Wrong Mans," a drama about office workers who unexpectedly end up in the middle of a deadly criminal conspiracy. And, Google's YouTube is reportedly planning a subscription service as part of an overall plan to support more exclusive, high-quality content.

As Rep. Francis Underwood said in "House of Cards," "It doesn't matter how it happened -- we can't make it unhappen. Now we have to adapt." The leaders in streaming popular, high-quality content are adapting, and a new world order is gradually forming.

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Space Pictures This Week: A Space Monkey, Printing a Moon Base

Illustration courtesy Foster and Partners/ESA

The European Space Agency (ESA) announced January 31 that it is looking into building a moon base (pictured in an artist's conception) using a technique called 3-D printing.

It probably won't be as easy as whipping out a printer, hooking it to a computer, and pressing "print," but using lunar soils as the basis for actual building blocks could be a possibility.

"Terrestrial 3-D printing technology has produced entire structures," said Laurent Pambaguian, head of the project for ESA, in a statement.

On Earth, 3-D printing, also known as additive manufacturing, produces a three-dimensional object from a digital file. The computer takes cross-sectional slices of the structure to be printed and sends it to the 3-D printer. The printer bonds liquid or powder materials in the shape of each slice, gradually building up the structure. (Watch how future astronauts could print tools in space.)

The ESA and its industrial partners have already manufactured a 1.7 ton (1.5 tonne) honeycombed building block to demonstrate what future construction materials would look like.

—Jane J. Lee

Published February 4, 2013

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Boy Safe, Kidnapper Dead After Hidden Camera Tip

A week-long standoff in Alabama, where a retired trucker held a 5-year-old boy hostage in an underground bunker, has ended with the kidnapper dead and the child safe, according to law enforcement.

Officials had been able to insert a high-tech camera into the bunker to monitor the movements of the suspect, Richard Lee Dykes, and they had become increasingly concerned that he might act out, according to a law enforcement source with direct knowledge.

"FBI agents safely recovered the child who's been held hostage for nearly a week," FBI Special Agent Steve Richardson said at a news conference.

The agent said negotiations with Dykes "deteriorated" in the past 24 hours.

"Mr. Dykes was observed holding a gun," Richardson said. "At this point, the FBI agents, fearing the child was in imminent danger, entered the bunker and rescued the child."

The boy, identified only as Ethan, "appears physically unharmed" and is being treated at a hospital, authorities said.

Joe Songer/AL.com/AP Photo

Alabama Hostage Crisis: Boy Held Captive for 7 Days Watch Video

Hostage Standoff: Drones Fly Over Alabama Bunker Watch Video

Dykes, 65, is dead, but officials have not yet provided details on how he died.

"Right now, FBI special agent bomb technicians are in the process of clearing the property for improvised explosive devices," the FBI said in a written statement. "When it is safe to do so, our evidence response teams, paired with state and local crime scene technicians, will process the scene."

PHOTOS: Worst Hostage Situations

Dykes allegedly shot and killed a school bus driver last week and threatened to kill all the children on the bus before taking the boy, one of the students on the bus said.

"He said he was going to kill us, going to kill us all," Tarrica Singletary, 14, told ABC News.

Dykes had been holed up in his underground bunker near Midland City, Ala., with the abducted boy for a week as police tried to negotiate with him through a PVC pipe. Police had used the talks to send the child comfort items, including a red Hot Wheels car, coloring books, cheese crackers, potato chips and medicine.

Dykes was a decorated Vietnam vet who grew up in the area. He lived in Florida until two years ago, the AP reported, and has an adult daughter, but the two lost touch years ago, neighbor Michael Creel said. When he returned to Alabama, neighbors say he once beat a dog with a lead pipe and had threatened to shoot children who set foot on his property.

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Bug protects itself by turning its environment to gold

Mythical King Midas was ultimately doomed because everything he touched turned to gold. Now, the reverse has been found in bacteria that owe their survival to a natural Midas touch.

Delftia acidovorans lives in sticky biofilms that form on top of gold deposits, but exposure to dissolved gold ions can kill it. That's because although metallic gold is unreactive, the ions are toxic.

To protect itself, the bacterium has evolved a chemical that detoxifies gold ions by turning them into harmless gold nanoparticles. These accumulate safely outside the bacterial cells.

"This could have potential for gold extraction," says Nathan Magarvey of McMaster University in Hamilton, Ontario, who led the team that uncovered the bugs' protective trick. "You could use the bug, or the molecules they secrete."

He says the discovery could be used to dissolve gold out of water carrying it, or to design sensors that would identify gold-rich streams and rivers.

The protective chemical is a protein dubbed delftibactin A. The bugs secrete it into the surroundings when they sense gold ions, and it chemically changes the ions into particles of gold 25 to 50 nanometres across. The particles accumulate wherever the bugs grow, creating patches of gold.

Deep purple gold

But don't go scanning streams for golden shimmers: the nanoparticle patches do not reflect light in the same way as bigger chunks of the metal – giving them a deep purple colour.

When Magarvey deliberately snipped out the gene that makes delftibactin A, the bacteria died or struggled to survive exposure to gold chloride. Adding the protein to the petri dish rescued them.

The bacterium Magarvey investigated is one of two species that thrive on gold, both identified a decade or so ago by Frank Reith of the University of Adelaide in Australia. In 2009 Reith discovered that the other species, Cupriavidus metallidurans, survives using the slightly riskier strategy of changing gold ions into gold inside its cells.

"If delftibactin is selective for gold, it might be useful for gold recovery or as a biosensor," says Reith. "But how much dissolved gold is out there is difficult to say."

Journal reference: Nature Chemical Biology, DOI: 10.1038/NCHEMBIO.1179

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Obama urges Boy Scouts to end gay ban

WASHINGTON: President Barack Obama said in an interview Sunday that the Boy Scouts of America should end its controversial ban on gays and lesbians when its national executive board takes up the issue next week.

"My attitude is that gays and lesbians should have access and opportunity the same way everybody else does in every institution and walk of life," Obama told CBS News in a pre-Super Bowl interview.

"The Scouts are a great institution that are promoting young people and exposing them to opportunities and leadership that will serve people for the rest of their lives," he said. "And I think nobody should be barred from that."

On January 28, the century-old youth group with 2.6 million boys in its membership ranks said it was rethinking its longstanding ban, and the group's national board of directors is expected to meet Wednesday to discuss the issue.

Unlike the Girl Scouts of the USA, a separate organisation, the Boy Scouts maintained for years a ban on "open or avowed homosexuals" from participating either as members or adult leaders.

Its stance was upheld by the US Supreme Court in 2000, but it has come under pressure in recent years to change tack in the face of growing public acceptance of homosexuality.

The CBS interview was broadcast ahead of the Super Bowl, the American football sporting extravaganza that transfixes the country each year.

Obama also told CBS that he hopes to generate more revenue for the US budget without raising taxes by closing tax loopholes.

"There is no doubt we need additional revenue coupled with smart spending reductions to bring down our deficits," Obama said.

- AFP/jc

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Priceline gets Shatner an angry daughter for Super Bowl

She's not happy.

(Credit:
Priceline/YouTube Screenshot: Chris Matyszczyk/CNET)

My remarkably imposing, draconian, single friend Taylor -- who's a girl -- tells me there are only two types of men: those who have two sheets on their bed and those who have one.

Similarly, there are two types of online travel sites: those where you bid and those where you don't.

It seems, however, that Priceline has tired of all that bidding. Which makes you wonder what they will do with the resurrected Negotiator, or, indeed, with whatever people used to think of Priceline.

In a campaign that launched three weeks ago, but is now given heightened exposure during the Super Bowl, Shatner is given a daughter.

A daughter whom he's cruelly locked up for 20 years to learn the art of deal-making.

Yet is the art of deal-making so useful now? The prices seem to be, well, the prices.

You feel that the frustrated daughter (played by Kaley Cuoco of "Big Bang Theory") want to toss her dad off a cliff, just as Priceline did to him not so many moons ago.

Priceline is easier. You don't have to bid. The daughter's education may have been something of a waste of time. Yes, like many state universities.

More Technically Incorrect

Which means you have to learn how to calm your daughter down after 20 years of keeping her locked up in some remote mountain retreat with monks who look like they eat concrete for breakfast.

Priceline's solution is to make the daughter wander around telling people how you don't have to bid on Priceline anymore.

This seems especially mean.

If the Negotiator had any heart, he would have allowed her to become an artist, a counter-espionage agent or a 100-meter hurdler.

Instead, he keeps her in the family business, using her to mop up the confusion people might have about an online travel site.

She's really not happy about this. I foresee a family rift in the very near future. I foresee she gets herself a boyfriend to whom daddy takes a deep disliking. I foresee she takes drugs and revenge.

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Pictures We Love: Best of January

Photograph by Dieu Nalio Chery, AP

The magnitude 7 earthquake that struck near Port au Prince, Haiti, in January 2010 so devastated the country that recovery efforts are still ongoing.

Professional dancer Georges Exantus, one of the many casualties of that day, was trapped in his flattened apartment for three days, according to news reports. After friends dug him out, doctors amputated his right leg below the knee. With the help of a prosthetic leg, Exantus is able to dance again. (Read about his comeback.)

Why We Love It

"This is an intimate photo, taken in the subject's most personal space as he lies asleep and vulnerable, perhaps unaware of the photographer. The dancer's prosthetic leg lies in the foreground as an unavoidable reminder of the hardships he faced in the 2010 earthquake. This image makes me want to hear more of Georges' story."—Ben Fitch, associate photo editor

"This image uses aesthetics and the beauty of suggestion to tell a story. We are not given all the details in the image, but it is enough to make us question and wonder."—Janna Dotschkal, associate photo editor

Published February 1, 2013

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